A fake screenshot of Earthbound with a 3D model of a side table rendered in Blender. The color quantization was done in post-process (and doesn’t respect the SNES’ limitations). It was made as a reaction to a meme you can check here involving a photo taken of the actual side table invoking the similitude between the table’s design with Earthbound. I actually modeled the side table from scratch with this photo as only reference. …

A sci-fi-looking radioactive rods rendered in Blender. An exercise in hard-op modeling.The floor was its own exercise: I wanted to make a panel generator with an uniform grid layout that wouldn’t cross the panels’ boundaries.

A scene showing a marble arch among a flat ocean under a cloudy sky. Mapped in Trenchbroom (for Quake I with Valve map format). A scene mapped in Trenchbroom (for Quake I with Valve map format). The textures and [makkon-skybox][skybox] were made by Makkon. This was one of the maps I made to learn how to use Trenchbroom and gauged my interest in making maps for Quake.

Cubes. A fractal mountain of concrete cubes.Rendered with Blender. Click the picture to open the full size version. Bonus Cubes. A fractal floating island of concrete cubes.Rendered with Blender. Click the picture to open the full size version.

Nebula in a glass orb, rendered in Blender.

A deflated eye. Rendered in Blender One of the multiple works I did with the same basic eye model I did a while ago. This was an experiment with Blender’s then-recent pressure simulation in its cloth simulation system. It’s a bit of a mood, to feel deflated when tired, flabby, shapeless. One variant, with a blue iris, is one of my avatars online.

An eye, rendered with heavy dithering in Blender. One of the multiple works I did with the same basic eye model I did a while ago. This was an experiment with Blender’s then-recent pressure simulation in its cloth simulation system. It’s a bit of a mood, to feel deflated when tired, flabby, shapeless. One variant, with a blue iris, is one of my avatars online. I fixed the palette colors with Aseprite, to make sure it’d follow a specific palette: 1Bit Monitor Glow. …

One of my favorite works: the Moon, in holy dithered 1-bit. Rendered with Blender, fixed colors in Aseprite. Moon’s texture set comes from the CGI toolkit made by NASA’s Scientific Visualization Studio . The mapping might be slightly wrong, I didn’t pay too much care in fixing the UV range. Close of the mesh

A stack of sci-fi transport palettes. Rendered in Blender.I actually looked up the standard dimensions for an european palette and worked the base mesh from it. The rest was just making sure it looked sci-fi enough.

A spinning low-poly duck with a pumpking for helmet and a leek for sword and shield. Spin forever, my child. My avater : a low-poly rubber duck. Through years it got a few improvements over the original model, like a slight update in the mesh, sunglasses (to hide the lack of eyes), Sirfetch’d leek and that pumpkin, a “temporary” edit for Halloween that ended up permanent. That’s also the duck you can see on every page on this blog. …